Who?
The vast majority of pictures on this website show people - in almost any situation, pose or atmosphere. That is because to me people are the most fascinating subjects in photography. Be it a portrait, a cinematic still or a directed scene, even a street shot or documentary image - people add spice to every frame.
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What?
Contemporary Photography is about showing the difference between the experienced, real world and the imagination of the photographer. Look at the works of, for example, Cindy Sherman, Jeff Wall, or Gregory Crewdson: their staged scenes all have one idea in common - to take the viewer on a journey into the "what if". They want you to look behind the curtain. And maybe you discover a hidden truth.
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When?
Is there any restriction or rule as to when is the right moment to make a picture? There was undoubtedly in Bresson's era, when photographers were eager to capture the decisive moment. Today, many people rely on electronics and autofocus and pick the best frame from an endless digital stream. Do they know what they're missing?
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How?
How do you shoot cinematic scenes? - Many people have asked this. The answer has three parts: come up with an idea of what's happening in the film and draw a story board, then find the best location and actors/actresses, and finally set the stage as if you were making a movie. This includes all kinds of props you would find on the scene, the appropriate lighting for day and night time, etc. In the end, it has to be believable and unique.
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Why?
Art never becomes obsolete. It will remain an essential part of culture and communication. I've always tried to add my two cents to this - as a writer for almost 20 years or as an artist in the field of photography for more than six years. It's like having the urge to "say something" about whatever situation or fact - or just about beauty in all its shapes.
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